Group Show on New Media Art at Goethe Media Space, Toronto

TOUCHING FROM A DISTANCE II - Transmediations in the Digital Age

Commissioned & presented by the Goethe-Institut Toronto
Co-presented with Hot Docs, Images Festival & Digifest

Artists: Jonas Blume (DE), Manja Ebert (DE), Ornella Fieres (DE), Aron Lesnik (DE), Lorna Mills (CAN), Sarah Oh-Mock (DE), Julia Charlotte Richter (DE), Anna Ridler (UK), The Swan Collective (DE), Tina Wilke (DE).

Curated by Tina Sauerländer (peer to space)

Opening & Artist Talk: Friday, March 22, 2019, 6:30 pm

Goethe Media Space, 100 University Ave, North Tower, 2nd floor, Toronto, Canada

Touching From A Distance presents recent digital art works immersed into the book shelves and media hardware at the Goethe Media Space. All works deal with transmediation, the process of translating information between different co-existing media–analog or digital, written or visual. The concept of transmediation reflects our daily internet routine, as we stay connected via intangible yet visible information. The band Joy Division praised the effect of music conveyed through the radio with their 1979 song Transmission: “Touching from a distance...sound, that's all we need to synchronise.” Today, digital data reaches and connects us as we post images, create short videos, or use emojis.

The 10 featured works build bridges between literature, language, digital art or VR. Ornella Fieres explores the transitions between analog and digital imagery; Anna Ridler transforms Edgar Allan Poe’s Fall of the House of Usher into an AI animation based on the artist’s drawings; Aron Lesnik creates uncanny animations of people talking about the advantages of reading.

The exhibition is the 2nd version of TOUCHING FROM A DISTANCE, organized by medienkunstverein.com and Literaturhaus Berlin, curated by Manja Ebert, Tina Sauerländer and Peggy Schoenegge in 2018.

The exhibition includes a world premiere by Lorna Mills as well as 6 North American and 3 Canadian premieres.

Duration: Fri, 03/22/2019 - Thu, 05/23/2019

More information

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SPECULATIVE CULTURES - A Virtual Reality Exhibition

Matias Brunacci, Virtualshamanism, VR experience, 2018

Matias Brunacci, Virtualshamanism, VR experience, 2018

Artists:  Morehshin Allahyari (IRN/US), Scott Benesiinaabandan (CAN), Matias Brunacci (ARG/DE), Yu Hong (CHN), Francois Knoetze (ZAF), Erin Ko (US) & Jamie Martinez (COL/US)
Curators: Tina Sauerlaender & Peggy Schoenegge (DE), and Erandy Vergara (MX/CA)
At: Anna-Maria and Stephen Kellen Gallery, Sheila C. Johnson Design Center, Parsons School of Design at The New School , 2 West 13th St, Ground Floor, New York, USA
Opening: February 7, 2019, 6- 8 pm
Artists' Tour: February 8, 6:30-7:30 p.m.
Duration: February 7, 2019 - April 14, 2019.

Cultures have never existed in a set state. They are all in constant flux brought about by social, economic, and technological developments. The global flow of people forges change, adaptation of norms and the creation of new forms for human societies, religions, rituals, or spoken languages. These processes of change lead to the adoption of new tools or practices and therefore can be considered as engine for progress, growth, and innovation. The new tools of the digital age offer new possibilities for cultures to exist, evolve, and consolidate. Virtual Reality allows artists to speculate about new manifestations of cultural expressions within the conditions of the digital realm. Independent of physical surroundings, new spaces spring into existence. Through their works, the artists shape their hopes and desires into virtual environments representing imagined cultures. Their speculative virtual worlds create different perspectives on established narratives and traditions, as well as images and symbols. The artists’ projects thereby open possibilities for leaving accustomed views and familiar structures behind and exploring different notions of one’s own personal surroundings and conditions of human existence.

This show is part of the exhibition series Critical Approaches in Virtual Reality Art, which was developed by Erandy Vergara and Tina Sauerlaender at the invitation of the Goethe-Institut and Studio XX in Montréal. This series brings together Erandy Vergara's engagement with postcolonial and feminist perspectives on media art and theory and Tina Sauerlaender's curatorial engagement with digital technologies and Virtual Reality.  

Presented in partnership with the Consulate General of Canada in New York.

Talk on Virtual Reality & Art at LMU Munich by Tina Sauerlaender

Image.:  Scrubbing 1, Maquette , 2017 by Rachel Rossin (Postmasters Gallery)

Image.: Scrubbing 1, Maquette, 2017 by Rachel Rossin (Postmasters Gallery)

As a part of the lecture series on Digital Art History at the KHI (Department for Art History) of the LMU University Munich, Germany, peer to space’s director Tina Sauerlaender gives a talk on Immersion & Virtual Reality in Art and Art History (in German).

January 22, 2019, 7 pm, at Institut für Kunstgeschichte, Zentnerstr. 31, Raum 007 im EG

Further Information (Germany only)

Inside Out > Solo Show Of Tatjana Schülke

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peer to space’s curator Peggy Schoenegge curates Tatjana Schülke’s solo exhibition at Kunsthaus Dahlem. The exhibition Inside Out shows 15 recent works, which illustrate the artist's experimentation with different materials. In addition to the relationship between material, form and surface, the tension between internal and external effects is elementary.

The exhibition takes place from January 18th to April 8th 2019.

Further information

THIS COULD BE YOU – Disembodiment in Virtual Reality Art

THIS COULD BE YOU – Disembodiment in Virtual Reality Art

With: Claire Hentschker (US), Jessy Jetpacks (ARE/ UK), Martina Menegon (IT/AUT), Zeesy Powers (US)

Curated by: Peggy Schoenegge (peer to space)

At: Overkill Festival, The Netherlands

From: November 23rd to 25th, 2018

Today we communicate via several digital applications, and present our identity on the Internet. Social VR enables us to meet our friends’ avatars in a virtual space independently from our body’s actual place. Thus being evocative of the plot of the Sci-Fi movie Matrix (1999), in which the physical body stays in a bunk while the consciousness acts in a virtual place.

Martina Menegon, All Around Me Are Familiar Faces, artistic VR experience, still, 2018

Martina Menegon, All Around Me Are Familiar Faces, artistic VR experience, still, 2018

In 1991, Hans Moravec wrote in his essay The Universal Robot that the human body is disused and won’t be necessary in our future anymore. He said it would be possible to download one’s consciousness to a computer. By transferring the mind to a technological medium the body would becomes insignificant. As a result human beings would not be embodied and their existence would not depend on biological mortality anymore. Consequently human beings would become immortal.

With recent technological progress Moravec’s idea no longer seems completely absurd. Virtual Reality (VR) as a technological and artistic medium enables users to experience disembodiment. The exhibition THIS COULD BE YOU. Disembodiment in Virtual Reality is dedicated to the feeling of incorporeality. The title refers to Zeesy Powers’ eponymous VR artwork, in which the user inhabits the body of an old woman. Over the course of time the body of the old woman becomes the body of the user. Entering a virtual world allow users to immerse themselves in a completely different place without a physical body. There, users can be everyone and everything. Feeling present in the virtual space, makes them forget about their bodies in reality.

VR experiences implicate future living scenarios but also reflect the current state of our society and its relation to technology. Claire Hentschker shows a deserted world without any humans. While reflecting the presence, her work gives an impression of what a disembodied future of formerly inhabited places could look like. Jessy Jetpacks plays with the re-embodiment in the virtual room and questions wether our bodies have a memory and if such an experience has consequences. Martina Menegon and Zeesy Powers also confront the users with bodies that are not theirs. While Menegon provides her 3D scanned face as a mask-like object, the users interact with; Powers mirrors the user as a 90 years old woman. By doing so, they create a vision of what life with an immaterial body could be like and what it might or might not feel like.

THIS COULD BE YOU. Disembodiment in Virtual Reality is part of the Overkill Festival 2018 in Enschede (NL). The festival regroups art, games, movies and performances and opens a new discourse.

The artistic VR experiences are presented in cooperation with Radiance VR.

Link to the Facebook Event

Website of Overkill Festival

peer to space at Kunst und Immersion – Herbstakademie Leipzig

The peer to space team participates in this year’s Herbstakademie at Academy of Fine Arts Leipzig, Germany, on the subject of Kunst und Immersion – Herbstakademie. Peggy Schoenegge will give a talk and Tina Sauerlaender will moderate a panel discussion with Prof. Dr. Martina Leeker, Peggy Schoenegge and Andreas Wolfsteiner on November 30, 2018.

This is Fake und Academy of Fine Arts Leipzig invite to a three-day academy with lectures, workshops and a panel discussion with various theorists* dealing with the potentials, problems, and limits of the perception phenomenon "immersion" in (digital) art and beyond.

HGB Leipzig - November 30 to December 2, 2018

Further information

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ENVISIONING THE FUTURE – VR Art Exhibition in Washington D.C – co-curated by Tina Sauerlaender

Artists: A / A (Germany), Banz & Bowinkel (Germany), Scott Benesiinaabandan (Canada), Julian Bonequi (Mexico), Paloma Dawkins (Canada), Claudia Hart (USA), Jakob Kudsk Steensen (Denmark/USA)

Curators: Erandy Vergara and Tina Sauerlaender

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Our future is constantly redefined and renegotiated in both real and virtual spaces in times of political tension between communities, countries, and cultures. Curiosity and the spirit of discovery juxtapose resentments and  fear towards the yet unknown or the so-called Other. Yet the Other struggles to create spaces and to envision a future she/he is actively a part of.

Seven artists from different geographic locations and backgrounds discuss worldviews in utopian or apocalyptic, cultural or natural contexts in their virtual artworks. They are hypothetical imaginations that reflect about possible states for worlds. Together, they ask what is the future we would like to live in and how can we get there? They call us to rethink the present in order to envision the future.

The artists take us to parallel worlds: apocalytpic moments (A / A, Germany); archipelagos removed from physical laws (Banz & Bowinkel, Germany); native Canadian history and future visions (Scott Benesiinaabandan, Canada); human birth and death on Earth and on Mars (Julian Bonequi, Mexico); journey into the fabled unknown (Paloma Dawkins, Canada); liminal and mythological wonderlands (Claudia Hart, USA); tourism and technology facing climate change (Jakob Kudsk Steensen, Denmark/USA). All artists use Virtual Reality, the new medium in art, as their tool of expression. This medium creates a blank space for new visions. In virtual reality, the viewers are in the center and  surrounded entirely. They decide where to look and where to go; they co-shape the world they are in. Viewers are assigned the active role of the user. Just like the virtual artwork is complete through the actions of the users, these users are also are able to rethink and reshape their own physical reality.

This selection of current VR projects combines the passion and expertise of two curators: Erandy Vergara's engagement with postcolonial and feminist perspectives on media art and theory (Mexico/Montreal) and Tina Sauerlaender's curatorial engagement with digital technologies and Virtual Reality (Berlin).

Invited by the Goethe-Institut and Studio XX in Montréal, they developed the concept for their exhibition series “Critical Approaches in Virtual Reality Art”, where this exhibition Envisioning the Future is part of.

October 24 to 28, 2018 at Halcyon Arts Lab, Washington D.C

LInk to the Facebook Event

Link to the announcement on the Goethe-Institute’s website

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peer to space’s curator Peggy Schoenegge at Process Festival

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Peggy Schoenegge will give a talk about her work as a curator with a focus on digital and new media art at this year’s Process Festival, Dortmund on October 6th. The topic of the festival is humans and machines. In keeping with the theme Peggy will especially concentrate on this relationship in her work. She will also bring two VR artworks by Martina Menegon and The Swan Collective, presented by Radiance VR.

 

Further information and program

 

 

 

peer to space's new online exhibition

CLAIMING NEEDLES

Positions of Contemporary Embroidery Art

Curated by: Peggy Schoenegge and Darja Zub

Presented by: peer to space

Exhibition design byEmilie Gervais

With the online exhibition CLAIMING NEEDLES, peer to space explores definitions of embroidery art, its topics and materials. 54 international artists present their works in the exhibition, showcasing embroidery as an artistic tool from the contemporary perspective, revealing different approaches on embroidery as well as various topics such as gender, science, digitalization, urbanity, politics or social criticism that are dealt with and reflected by the medium. These approaches extend the critical realm of embroidery as an artistic tool.

Artists: Tanya Akhmetgalieva, Alma Alloro, Ana Teresa Barboza, Alexandra Baumgartner, Danielle Clough, Dave Cole, Liz Collins, Ruth Cuthand, Erika Diamond, Birgit Dieker, Jochen Flinzer, Gabriele Fulterer & Christine Scherrer, Anja Fussbach, Michelle Hamer, Sally Hewett, Barb Hunt, Aya Kakeda, Katika, Alexandra Knie, Dinah Kübeck, Jan Kuck, Rebecca Levi, Aubrey Longley-Cook, Roby Love, LoVid, Katrina Majkut, Niina Mantsinen, Jamie Martinez, Elisabeth Masé, Victoria May, Cat Mazza, Reija Meriläinen, Carol Milne, Julia Neuenhausen, Natasza Niedziolka, Shanell Papp, Anja Claudia Pentrop, Cordula Prieser, Anna Ray, Karolin Reichardt, Fiene Scharp, Noora Schroderus, Kathryn Shinko, Annegret Soltau, Laura Splan, Jonny Star, Marion Strunk, Anna Talens, Marianne Thoermer, Kata Unger, Sanni Weckmann, Shea Wilkinson, Jessica Wohl

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Kate Durbin's Unfriend Me Now!

SCREENING and ARTIST TALK with Kate Durbin, Los Angeles-based artist and writer.
Kate Durbin's new film Unfriend Me Now! is an exorcism of the rhetorical wars on Facebook over Donald Trump's election in the US. Using the figure of the clown and the white box of the Facebook timeline, Unfriend Me Now! explores the co-option of rage by corporate interests, and the ways we communicate our political views online in the 21st century. After the film screening, Kate Durbin will be in conversation with Berlin-based curator Tina Sauerlaender (peer to space)

August 20, 2018, 7.30 pm at OMO Artspace, Hertzbergstr. 14, 12055 Berlin

Event on Facebook

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August And Everything After

Peer to space's founder Tina Sauerlaender curated the August exhibition August And Everything After for the ACTIVATAR App featuring works by Bianca Kennedy, Faith Holland and Tamiko Thiel. Download the App or check out activatar.org.

peer to space at VRHAM!

peer to space’s director Tina Sauerlaender and curator Peggy Schoenegge are part of this year’s VRHAM! Festival in Hamburg, Germany. Tina is part of the jury as well as moderating the panel on VR and art VR here to talk! on Saturday, June 9th at 5 pm. Peggy will open the discourse program with a keynote What the f*** is VR on Thursday, June 7th 2018.

VRHAM! – Virtual Reality and Art Festival Hamburg 2018

June 7th to June 17th 2018

VRHAM! is Germany’s first artistic Virtual Reality festival. VRHAM! is presenting a large variety of outstanding international VR experiences in Hamburg’s Oberhafenquartier, unique in its form and sure to transcend the borders of traditional perception and experience of art.

Further information and program

PENDORAN VINCI. Art and Artificial Intelligence Today

peer to space's team curates a show on art and artificial intelligence today. The AI on neuronaming.net randomly generated the exhibition title PENDORAN VINCI. It evokes Leonardo Da Vinci, the Renaissance painter remembered as a homo universalis, a polymath, and an omniscient sage. In our globally networked society, all knowledge is turned into electronic data and assembled online. Who takes the mastermind's place today? AI generates, structures, and customizes big data. With AI, did we open Pendoran’s, er…, Pandora’s box?

Faith Holland, Hello Barbie, video and interactive installation, 2018 © the artist

Faith Holland, Hello Barbie, video and interactive installation, 2018 © the artist

Artists: Nora Al-Badri & Jan Nikolai Nelles (DE), Jonas Blume (DE) Justine Emard (FR), Carla Gannis (US), Sofian Audry and Erin Gee (CAN), Liat Grayver (ISR/DE), Faith Holland (US), Tuomas A. Laitinen (FI), and William Latham (UK)

Initiated and hosted by Leoni Spiekermann (ARTGATE Consulting)
Duration: June 9, 2018 - August 19, 2018
At NRW Forum Düsseldorf,  Ehrenhof 2, 40479 Düsseldorf, Germany

 

 

peer to space’s curator Peggy Schoenegge at A MAZE Festival

Peggy Schoenegge will be part of this year’s jury for the A MAZE AWARD together with Sarah Northway (CA), Robert Yang (US); Jack King-Spooner (UK), and Leena Kejriwal (IN) and participates in the panelDigital Exhibits and the 2nd Spring of Virtual Art Spaces“ moderated by Torsten Wiedemann on Friday, April 27th, 11 to 12 am.

A MAZE. 7th International Games and Playful Media Festival

April 25th to April 29th at Urban Spree, Revaler Straße 99 10245 Berlin

A MAZE. is an international festival focusing on the art and culture of games and playful media. It invites the general public to experience inspiring talks, workshops, music, and an exhibition.

Further information and program

 

 

peer to space at DIGIFEST in Toronto

Install view: Li Alin, Enter Me Tonight, House of Electronic Arts Basel, 2017 / Photo by Franz Wamhof

Install view: Li Alin, Enter Me Tonight, House of Electronic Arts Basel, 2017 / Photo by Franz Wamhof

VR projects at Digifest:

H.E.A.R.T. by Erin Gee and Alex M. Lee
Enter Me Tonight by Li Alin

Presented by the Goethe-Institut Toronto
Curated by Tina Sauerländer (Berlin) and Erandy Vergara (Montreal)

At the invitation of the Goethe-Institut curators Tina Sauerländer and Erandy Vergara have selected VR works for this year’s Toronto Digifest, including two recent pieces by Berlin-based Canadian artist Li Alin and Montreal-based artist Erin Gee in collaboration with South Korean-born, US-based artist Alex M. Lee. The artists use humor and irony to engage in controversial topics: emotions in first-person shooter video games and war in the case of Gee, and a futuristic exploration on human reproduction in technology-oriented times in the case of Alin.

Further information here / Tina Sauerlaender on the Goethe Blog.

UNCANNY CONDITIONS documentation video is out

You can now watch peer to space's documentation video of the VR exhibition UNCANNY CONDITIONS that took place at whiteBOX  as a part of the FNY Festival in Munich last year - More information here.

PECHA KUCHA ART NIGHT about NETWORKS

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January 31, 2018, 7.30 pm at Haus am Lützowplatz, Berlin

Ein Abend. 12 Vorträge à 6 Minuten 40 Sekunden. Je 20 Bilder.

Moderiert von:
Yvonne Zindel (geb. Reiners) und Tina Sauerländer

Netzwerke sind in der Kunstwelt omnipräsent. Sie manifestieren sich in der Form von Kooperationen, Vereinen, Verbänden oder interaktiven, partizipativen sozialen Skulpturen, Salons sowie ihren Äquivalenten in der virtuellen Welt. Aber was bedeuten Netzwerke für KuratorInnen, KünstlerInnen, KunsthistorikerInnen und andere Akteure der Kunstszene eigentlich? In Kurzvorträgen im Pecha Kucha-Format beleuchten die SprecherInnen aus der (Berliner) Kunstszene die Bedeutung des Netzwerks als Plattform für Austausch, gegenseitige Stärkung und nicht zuletzt als eine (produktive) Metapher für menschliche Zusammenarbeit.

Die Veranstaltung wird organisiert von Performing Encounters und peer to space

Further information and speaker's list