Talk on Virtual Reality & Art at LMU Munich by Tina Sauerlaender

Image.:  Scrubbing 1, Maquette , 2017 by Rachel Rossin (Postmasters Gallery)

Image.: Scrubbing 1, Maquette, 2017 by Rachel Rossin (Postmasters Gallery)

As a part of the lecture series on Digital Art History at the KHI (Department for Art History) of the LMU University Munich, Germany, peer to space’s director Tina Sauerlaender gives a talk on Immersion & Virtual Reality in Art and Art History (in German).

January 22, 2019, 7 pm, at Institut für Kunstgeschichte, Zentnerstr. 31, Raum 007 im EG

Further Information (Germany only)

peer to space at Kunst und Immersion – Herbstakademie Leipzig

The peer to space team participates in this year’s Herbstakademie at Academy of Fine Arts Leipzig, Germany, on the subject of Kunst und Immersion – Herbstakademie. Peggy Schoenegge will give a talk and Tina Sauerlaender will moderate a panel discussion with Prof. Dr. Martina Leeker, Peggy Schoenegge and Andreas Wolfsteiner on November 30, 2018.

This is Fake und Academy of Fine Arts Leipzig invite to a three-day academy with lectures, workshops and a panel discussion with various theorists* dealing with the potentials, problems, and limits of the perception phenomenon "immersion" in (digital) art and beyond.

HGB Leipzig - November 30 to December 2, 2018

Further information

ThisIsFake_Herbstakademie.jpg

peer to space at VRHAM!

peer to space’s director Tina Sauerlaender and curator Peggy Schoenegge are part of this year’s VRHAM! Festival in Hamburg, Germany. Tina is part of the jury as well as moderating the panel on VR and art VR here to talk! on Saturday, June 9th at 5 pm. Peggy will open the discourse program with a keynote What the f*** is VR on Thursday, June 7th 2018.

VRHAM! – Virtual Reality and Art Festival Hamburg 2018

June 7th to June 17th 2018

VRHAM! is Germany’s first artistic Virtual Reality festival. VRHAM! is presenting a large variety of outstanding international VR experiences in Hamburg’s Oberhafenquartier, unique in its form and sure to transcend the borders of traditional perception and experience of art.

Further information and program

peer to space’s curator Peggy Schoenegge at A MAZE Festival

Peggy Schoenegge will be part of this year’s jury for the A MAZE AWARD together with Sarah Northway (CA), Robert Yang (US); Jack King-Spooner (UK), and Leena Kejriwal (IN) and participates in the panelDigital Exhibits and the 2nd Spring of Virtual Art Spaces“ moderated by Torsten Wiedemann on Friday, April 27th, 11 to 12 am.

A MAZE. 7th International Games and Playful Media Festival

April 25th to April 29th at Urban Spree, Revaler Straße 99 10245 Berlin

A MAZE. is an international festival focusing on the art and culture of games and playful media. It invites the general public to experience inspiring talks, workshops, music, and an exhibition.

Further information and program

 

 

UNCANNY CONDITIONS - A Virtual Reality Exhibition

Artists: Salome Asega & Reese Donohue & Tongkwai Lulin (US), Geoffrey Lillemon (FR), Martina Menegon (IT/AT), Jakob Kudsk Steensen (DK/US)

Curated by: Tina Sauerländer and Peggy Schoenegge

Exhibition at whiteBOX, Atelierstraße 1, 81671 Munich, Germany // For FNY Festival, Werksviertel, Munich, Germany // Opening: September 1 // Duration: September 1–10, 2017

The VR exhibition UNCANNY CONDITIONS delves into the challenges of human living in the digital age reflected in four artistic virtual reality experiences. Uncanny means strange or mysterious and refers to something beyond the ordinary or normal. The term Uncanny Valley refers to robots or avatars designed as humanoids. They appear almost, but never exactly, human and evoke an uncanny irritation for the viewer, a lack of authenticity. In this sense, uncanniness could also refer to digitally created imagery almost indistinguishable from reality. All these meanings occur in the virtual reality exhibition UNCANNY CONDITIONS.

RESET III and VIRTUAL REALITY

Opening & Artist Talk: September 8, 2017, 6 pm (Artist Talk at 5 pm)

At: PRISKA PASQUER, Albertusstr. 18, 50667 Cologne, Germany

Artists: Gazira Babeli (IT), Friedemann Banz & Giulia Bowinkel (DE), Dominik Halmer (DE), Carla Mercedes Hihn (ROU/DE), Claudia Larcher (AUT), Patrick Lichty (US/UAE), Judith Sönnicken (DE), The Swan Collective (DE), Tamiko Thiel (JP/DE), Fiona Valentine Thomann (FR/DE) & Alfredo Salazar-Caro’s (MEX/US) and William Robertson’s (US) Digital Museum of Digital Art with the exhibition Morphé Presence curated by Helena Acosta (US) and Eileen Isagon Skyers (PH/US), with works by Rosa Menkman (NL/DE), Brenna Murphy (US), Theo Triantafyllidis (GR/US), Miyö Van Stenis (VEN/FR)

Curated by Tina Sauerländer (peer to space)

Gazira Babeli,  Nudes Descending a Staircase - Monument to Marcel Duchamp , scripted environment, March 2007, © the artist, courtesy of the artist and PRISKA PASQUER, Cologne

Gazira Babeli, Nudes Descending a Staircase - Monument to Marcel Duchamp, scripted environment, March 2007, © the artist, courtesy of the artist and PRISKA PASQUER, Cologne

The exhibition RESET III and VIRTUAL REALITY illuminates the artistic exploration of virtual spaces against the background of the digital age. How do artists create virtual spaces? How do they compare to real environments? How does VR affect the body and perception? The RESET exhibition series initiated by | PRISKA PASQUER | deals with the development of art in the digital age in different artistic media. It examines how artists react to the challenges and possibilities of digital transformation.

More information here.

Critical Conversation on Virtual Reality in Canada

Critical Approaches to Virtual Reality: A Conversation about the Present, Past and Future of VR

Presenters: Tina Sauerländer, Erandy Vergara, Paloma Dawkins, Tali Goldstein and Ruben Farrus (Casa Rara)

May 24th, 5pm to 7pm

Milieux Institute at Concordia University

Recent art projects and discussions about VR seem mostly awestruck by the possibilities of the technologies themselves. However, there are critical and historical perspectives that we must address in order to investigate issues of aesthetics, politics, and the conceptual aspects of VR artworks and games. This conversation will include questions such as: How can artists and collectives working with Virtual Reality today challenge mainstream uses of this technology? What can we learn from the pioneers of VR and the criticism that media theorists asked regarding early celebratory discourses? Where are we in regards to issues of embodiment/disembodiment? What about feminist and postcolonial critiques of VR?

Studio XX sincerely thanks the Goethe-Institut and the Milieux Institute for Arts, Culture and Technology at Concordia University for their support as partners of this event.

Image: Exhibition view THE UNFRAMED WORLD at HeK Basel, artwork: Banz & Bowinkel, Mercury, 2016 (Installation view, VR experience) / Photo by Franz Wamhof

FEEL SCREENLESS: WHY ARTISTS USE VIRTUAL REALITY

Lecture by peer to space's director Tina Sauerländer
Since the launch of HTC ViveOculus Rift or Google Cardboard, Virtual Reality (VR) is widely used in artistic practice. Not only artists working with the digital deal with the new medium, also many artists from other fields e.g. performance of sculpting discover VR as a medium to extend and enhance their artistic ideas. The lecture will include current developments in artistic VR experiences and the history of VR art.
May 9th, 2017, 12.30 pm, Event page
re:publica, Berlin

Lecture by Tina Sauerländer on YouTube

Image :  re:publica

Imagere:publica

TALK: Virtual Reality in Art

With Philip Hausmeier, Tina Sauerländer, Sven Slazenger, and Dr. Ursula Ströbele

Virtual Reality technologies are almost omnipresent, but what does this mean for art? Are those technologies capable of expanding our visions of art and design? Can Virtual Reality bring together the digital and physically-spatial experiences? 

April 12th, 2017, 7 pm
Eigen + Art Lab, Berlin
Event on Facebook
Image: Eigen and Art Lab